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Fine Art

The rediscovery of Velázquez’s long-lost portrait and the role of women in power

A piece of work by the Spanish painter Diego Velázquez, entitled the Portrait of Olimpi...

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Classics

Computational Creativity: The App Making Music

Maya Ackerman, a computer scientist at Santa Clara University in California, has ...

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Fine Art

The Broken Column: Glamour through ill health

The artist Frida Kahlo is iconic. She is known first and foremost for her vibrant paintings, but the...

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Fine Art

Art gone 360

Technology in the art world is ever growing with methods of production and representation now includ...

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Fine Art

Painting Over Casanova: #MeToo and the Morality of Art

How should art institutions, and society in general, respond to the art of figures whose creators or...

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Computer Science

The Rise of Robotticelli: Art and Artificial Intelligence

Can robots make art? The annual robotic art competition is now in its third year, with over 100 subm...

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Fine Art

Leonardo’s Earliest Masterpiece: Fact or Fraud?

A recent press conference in Rome saw the unveiling of a small painted tile of the Archangel Gabriel...

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Fine Art

From the Lab to the Louvre: How Can Neuroscience Help Art Galleries?

How can neuroscience be used to improve your museum experience? The Peabody Essex Museum in Massachu...

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Fine Art

Plastic Spoons and Potato Jesus: What Makes Art So Bad It’s Good?

Can art be so bad that it’s good? It would stand to reason that we would appreciate art that is we...

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English Literature

The Borrowing Bard?Playwright or Plagiarist?

Recent scholarship has added to the conversation about Shakespeare’s originality—or lack thereof...

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Fine Art

When I Grow Up… Kids Weigh in on Women in Science

A new study conducted at Northwest University has indicated that children in the US are drawing more...

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Fine Art

Painting the Past: The Colourisation Controversy

The past few years have seen a surge in the practice of digitally colourising black and white photos...

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Our Oxbridge-graduate consultants are available between 9.00 am – 5.30 pm seven days a week, with additional evening availability when requested.

Oxbridge Applications. 14 – 16 Waterloo Place, London, SW1Y 4AR


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